I've been reading a lot and watching online videos of techniques. Learning on your own can be expensive if you make too many mistakes. And I've had a few. But I feel so good when something works. So what's so special about silver clay?
The possibilities are endless. Here are just a few designs that inspire me to keep working on my technique. I did manage to take a couple of classes with Lis-el Crowley. She teaches out of her gallery in Windsor, Ct. and makes pieces like this one below.

In one of the books that I have there are instructions on how to create Gordon Uyeha's very organic "Forest Spirit" hollow form. I'm not quire ready for this one yet. Maybe someday.
And I have admired for years the work of Liz Hall who combines silver clay
with polymer clay for incredible pieces that look like this.

I have a long way to go and lot to learn. But the journey is so much fun.